Similarly, musical students should make their parents proud. His dad sacrificed his time and ambition to take his son on tours. As you have seen, Mozart passion in music started to show when he was three years old. Parents should support their kids as Leopold supported his son. Inspiration from the Life of Wolfgang Amadeus Mozart Therefore, you can say that Mozart was a fast learner. Subsequently, his music improved remarkably in terms of texture enrichment. Fortunately, tours in musical centers such as London and The Hague opened his eyes to endless possibilities. Mozart Responded Quickly To the Music He EncounteredĪs he embarked on his first trip, Mozart’s performances were good, but the texture of his music was not as perfect as it could be. He performed as a child prodigy during these tours. Mozart was only ten years old at this time. Additionally, the family visited other cities such as The Hague, Brussels, and Amsterdam. The family toured Munich, Stuttgart, Augsburg, Frankfurt, Mainz, Paris, Mannheim, and London. Mozart Participated in Musical Tours at a Young Age His father, Leopold, supported him as he embarked on his musical career. In fact, he was so good at what he did that he composed his first symphony was he was eight years old. Interestingly, Mozart started composing music at the tender age of five years old. Many of them were piano concertos in addition to operas and symphonies among other works. He composed over 600 works during his lifetime. Wolfgang Amadeus Mozart (January 27, 1756, to December 5, 1791) is one of the greatest composers of all-time.
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All find the web of presumed criminality, built as it is on the very associations and friendships that make up a life, nearly impossible to escape. Goffman introduces us to an unforgettable cast of young African American men who are caught up in this web of warrants and surveillance―some of them small-time drug dealers, others just ordinary guys dealing with limited choices. Arrest quotas and high-tech surveillance techniques criminalize entire blocks, and transform the very associations that should stabilize young lives―family, relationships, jobs―into liabilities, as the police use such relationships to track down suspects, demand information, and threaten consequences.Īlice Goffman spent six years living in one such neighborhood in Philadelphia, and her close observations and often harrowing stories reveal the pernicious effects of this pervasive policing. Forty years in, the War on Drugs has done almost nothing to prevent drugs from being sold or used, but it has nonetheless created a little-known surveillance state in America’s most disadvantaged neighborhoods. * If you rely on earning a wage or salary to put money in your pocket, you will be forever caught up in the vicious cycle of needing money, earning money and spending money. * Try to own things that put money in your pocket. Owning a house and a car incurs expenses. Owning a business or earning royalties creates income. * When you own something, it is either putting money into your pockets, or taking money out of your pockets. Here is the message of the book, and as far as I can tell, the only thing of value in its pages: I pushed aside the part of my mind that was shouting "This guy is trashing highly educated people and the working poor!" and I was able to actually become enthusiastic about the message of the book. I bought this book on the recommendation of a client, and from page one I was feeling uncomfortable with it. The three men travel to Birlstone House to investigate. Some minutes later, Inspector MacDonald arrives at 221B Baker Street with news that Douglas was murdered the night before. Holmes deciphers the message as a warning of a nefarious plot against one Douglas, a country gentleman residing at Birlstone House. Sherlock Holmes receives a cipher message from Fred Porlock, a pseudonymous agent of Professor Moriarty. Doran Company in New York on 27 February 1915, and illustrated by Arthur I. The first book edition was copyrighted in 1914, and it was first published by George H. The story was first published in the Strand Magazine between September 1914 and May 1915. It is loosely based on the Molly Maguires and Pinkerton agent James McParland. The Valley of Fear is the fourth and final Sherlock Holmes novel by British writer Arthur Conan Doyle. That’s why I loved reading Tina Fey’s memoir, Bossypants. Part of the enjoyment I get from reading memoirs comes from reading about how celebrities got their start, where they get their inspiration from, and how they’re really not that different from us (except for all the money and fame, of course). But there’s something extra inspiring about reading people’s true struggles, whether it’s hiking the west coast like Cheryl Strayed in Wildor just trying to make it big in the entertainment industry, like Mindy Kaling in Is Everyone Hanging Out Without Me? (And Other Concerns). I have always been a fan of fiction, whether it’s YA or the classics, and never really enjoyed nonfiction reading. Somehow, that’s already turned into the year of reading memoirs. Back in January, I decided I was going to make 2015 the year of reading. I wonder if she made the best with what she got or was she sorry because she couldn’t be all the things she wanted to be. She looked out the window her whole life, the way so many women sit their sadness on an elbow. “And the story goes she never forgave him.Also, her experimentation with two languages in her works has attracted many writers to imitate her unique style, considering her a beacon for writing fiction. Her thoughtful ideas written in this way has influenced many great writers and critics such as Deborah L Madsen, a literary critic, who says that Sandra’s writings are both technically and aesthetically accomplished. Her approach has made her stand among the best writers of her time. As this requires a new writing approach, she has the uncanny ability to adapt to the situation. Sandra Cisneros’s opinions about self-fulfillment and cultural and traditional rebellion have won her a wide readership. Best Works: Some of her remarkable works include The House on Mango Street, Woman Hollering Creek and Other Stories, Loose Woman: Poems, A House of My Own and various others. Even to peruse Howell's manual is healing, and exhilarating, not only because of the book's inherent beauty, but because it contains vital knowledge all of us will need as fossil fuels dwindle and we return to the local. These pages are as rich as the cove forests they honor. This practical yet enchanting botanical brings an ancient art to modernity. "This is one volume that I want to own as we enter the post-corporate age: a priceless guide to Southern plant alchemy. Praise for Medicinal Plants of the Southern Appalachians. The author is a well-respected medical herbalist and teacher who lives in the mountains of north Georgia. The book invites the reader to explore native plants in their wild habitats and offers step-by-step ethical harvesting guidelines while emphasizing conservation issues. This concise guide to medicinal plants of the Southern Appalachians includes botanical descriptions of 45 native plants, their historical and current uses in herbal practice, detailed, easy-to-follow medicine making instructions and unique recipes for syrups, liniments, digestive bitters and more. I am not ‘most people,’ but I am going to guess, in a very half-assed way, that when most people refer to fascists or fascism (with respect not to history, but to contemporary events or persons), they generally intend an accusation (exaggerated or not) of the abuse of authority and power, a contempt for individual rights and liberties, and an irrational fealty to a very particular and narrow view of the way the world should be. But is this really accurate? Or does it further diminish and trivialize the historical sense of fascism? Because when you get right down to it, how many of us really know what we’re talking about when we casually refer to police officers as ‘fascist pigs’? Why fascist? And why pigs? Is it the uniforms-the authority-the right wing implications of issuing a traffic citation? Maybe. Whether you’re a teenager revolting against the ruthless Gestapo comprised of teachers, parents, and Denny’s night shift managers or you’re a fussbudget Berkeley yippie who detects a whiff of the counterrevolutionary even in the most innocuous conventions (‘I will not have a nice day! Fuck you, Big Brother!’), the exaggeration of one’s own paranoid sense of victimization by glibly appropriating the suffering of millions and millions of innocent people during World War II is always good for a larf, right? Sure, calling people ‘fascist’ is lots of fun. These themes include free will and fate, reality and art, the absurdity of life, the difficulty of making meaningful communication, and the inevitability of death,įor most of the play, the action takes place backstage, in the wings of a performance of Shakespeare’s Hamlet, with the action of both plays coinciding now and then. Rosencrantz and Guildenstern are two minor characters from Hamlet, but Stoppard’s play sees this reversed, with Rosencrantz and Guildenstern becoming the main characters and the other, more central, Hamlet characters being reduced to minor roles.īy turning Hamlet on its head, Stoppard creates an absurdist play that examines existentialist themes that were contemporary when the play was written and first performed in the 1960s, and that remain relevant in today’s theatre. The title of this Tom Stoppard play, Rosencrantz and Guildenstern are Dead, is taken from the final scene of Shakespeare’s Hamlet. Also chronicled are heroes hailing from places other than the backwoods, including Stormalong, a giant sailor who as a baby was washed onto a Cape Cod beach by a tidal wave, and Mose, a New York City fireman immortalized in an 1848 Broadway play. Osborne's reputation as a gifted raconteur ( Favorite Greek Myths Beauty and the Beast ) is reaffirmed in this compendium, which retells the legends of familiar figures (Davy Crockett, Paul Bunyan, Johnny Appleseed, Pecos Bill), as well as lesser known personalities, such as Crockett's fictional wife Sally Ann Thunder Ann Whirlwind, a composite character shaped by tales of various real-life women. American folk heroes of the 19th century spring to life in these splendidly retold sagas. |